Hello Everyone
Posted: Wed Aug 10, 2011 12:24 pm Etc/GMT-1+01:00
Hi All,
My name is Greg, I am a third year student studying photography at University College Falmouth.
I am currently embarking on a project where I am building a camera to my own custom specification,
The camera is to shoot onto 20" x 16" plates, however I intend to create darkslides which will allow for 10 x 8 film and 5 x 4 film also.
I am just wandering if anyone has any advice on lenses or chemicals or anything in which they could give me a helping hand?
At the moment the plan is to use glass plates coated in Silver Gelatin Emulsion and to then contact print onto 20" x 16" Kentmere FINEPRINT FB.
I hear good things about it (Almost no green in the shadows and very pure whites and a good tonal range between) and at a very low cost however I will be interested if anybody has any suggestions otherwise?
Alternatively has anyone ever made there own silver emulsion? I looked a while back but recalled something about having to grow your own crystals?
I have also looked at the callodian process after meeting Joni Sternbach, I love her work and think the process is fantastic but I find it to be quite expensive relative to silver gelatin.
I'd be greatly appreciative of any feedback I can get.
Greg
My name is Greg, I am a third year student studying photography at University College Falmouth.
I am currently embarking on a project where I am building a camera to my own custom specification,
The camera is to shoot onto 20" x 16" plates, however I intend to create darkslides which will allow for 10 x 8 film and 5 x 4 film also.
I am just wandering if anyone has any advice on lenses or chemicals or anything in which they could give me a helping hand?
At the moment the plan is to use glass plates coated in Silver Gelatin Emulsion and to then contact print onto 20" x 16" Kentmere FINEPRINT FB.
I hear good things about it (Almost no green in the shadows and very pure whites and a good tonal range between) and at a very low cost however I will be interested if anybody has any suggestions otherwise?
Alternatively has anyone ever made there own silver emulsion? I looked a while back but recalled something about having to grow your own crystals?
I have also looked at the callodian process after meeting Joni Sternbach, I love her work and think the process is fantastic but I find it to be quite expensive relative to silver gelatin.
I'd be greatly appreciative of any feedback I can get.
Greg
