BBC1 Tonight 10.40pm Harry Cory Wright
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BBC1 Tonight 10.40pm Harry Cory Wright
Tonight BBC1's "Made In England" features large format landscape photographer Harry Cory Wright out and about with his 10x8, making images in Norfolk and Bristol. More info here:
http://www.bbc.co.uk/norfolk/content/ar ... ture.shtml
The programs regional though - its a generic program title with different content for various regions. Harry is in the Eastern and Western versions as far as I can tell.
Jonathan
http://www.bbc.co.uk/norfolk/content/ar ... ture.shtml
The programs regional though - its a generic program title with different content for various regions. Harry is in the Eastern and Western versions as far as I can tell.
Jonathan
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The program's now available on BBC iPlayer for those in different regions:
http://www.bbc.co.uk/iplayer/page/item/b00b318m.shtml
Jonathan
http://www.bbc.co.uk/iplayer/page/item/b00b318m.shtml
Jonathan
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I enjoyed the program. It was good to see someone in the field using a big camera. Though he seemed to take a very basic approach to the process of capturing of the image - one lens, no movements, etc. In the end I wasn't that impressed with his pictures. It seems to me he relies on the detail and size of the image for the impact. Would liked to know more about the finished prints. He doesn't say much on his website except that he prints at 2000mm wide.
Did make me want to step up to 10x8 though which is a bit of a dangerous thought.
Did make me want to step up to 10x8 though which is a bit of a dangerous thought.
Regs, Nigels.
[User of Ebony 45SU + 58, 80, 150 & 270 mm Lenses, and all the essential bits]
"He wears the sweeping landscape in the crystal of his eye."
[User of Ebony 45SU + 58, 80, 150 & 270 mm Lenses, and all the essential bits]
"He wears the sweeping landscape in the crystal of his eye."
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Slight problem for those who have Mac computers; the content is not availableJonathan Perkins wrote:The program's now available on BBC iPlayer for those in different regions:
http://www.bbc.co.uk/iplayer/page/item/b00b318m.shtml
Jonathan

Fortunately, I have Parallels and Windows XP installed so was able to watch it, albeit in the small window provided.
BTW, for those of you who choose to download the program for viewing later, take note that the BBC Download Manager is a "peer to peer" client that not only downloads to your computer but also uploads the files on your computer to fulfil requests from other users for files you have downloaded.
Reassure yourself - stroke an Ebony
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Jo,
The Flash streaming version of iPlayer has been out for ages.
You need flash installed on firefox. There's a little problem with the rendering engine on FF2, whee is occasionally does not render the video window properly, unless it sits on the edge of the browser window (upper or lower. A bit wired. I'm waiting for FF3
Marc
The Flash streaming version of iPlayer has been out for ages.
You need flash installed on firefox. There's a little problem with the rendering engine on FF2, whee is occasionally does not render the video window properly, unless it sits on the edge of the browser window (upper or lower. A bit wired. I'm waiting for FF3

Marc
Real Photographers use METAL cameras.....
...and break their backs in the process...
http://homepage.mac.com/mjjs/Photography/
...and break their backs in the process...

http://homepage.mac.com/mjjs/Photography/
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I got to see the programme. He certainly isn't shy of blowing his own trumpet... I did feel he was trying a bit hard to impress upon us mere mortals that he was a Great Artist (eg when he says that a city is political, it felt like mere regurgitation of etymology - it might be an interesting point but it felt like unoriginal brow-beating, leading to nothing). "Get off your pedestal!", I felt like screaming for most of the programme.
Aside from that, I think his Bristol pic the more interesting of the two - the other suffering from his unconditional love of (i) detail made large which he equates with greatness (not a sufficient condition in my view) and (ii) the horizon half-way up the pic (does his camera have another setting?). Apart from that, nice to hear an LF'er talk about his approach and nice to see the art get some recognition in the media. And I am impressed by the detail held by negative film.
Thanks for the link.
Charles
Aside from that, I think his Bristol pic the more interesting of the two - the other suffering from his unconditional love of (i) detail made large which he equates with greatness (not a sufficient condition in my view) and (ii) the horizon half-way up the pic (does his camera have another setting?). Apart from that, nice to hear an LF'er talk about his approach and nice to see the art get some recognition in the media. And I am impressed by the detail held by negative film.
Thanks for the link.
Charles
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I only have Safari on my Mac but the OS is the new X.5.1. While it ran OK it was not at full screen but good enough to watch. I agree the chap came over a bit pompus, but I suspect that he was asked to make it all sound a but special for the film. I aso agree that the Bristol shot was the better of the two.
Alan
Alan
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Had a look at his website and none of the images really grab me. Not in the same way as Joe Cornish images do. It seems to be his way of seeing that the horizon often appears to be central in the image. This one is probably my favourite - http://www.harrycorywright.com/index.php?pId=3. Of course they probably look totally different as 2000mm wide prints.
Anyone know where I can get a cheap 10x8 field camera?
Anyone know where I can get a cheap 10x8 field camera?
Regs, Nigels.
[User of Ebony 45SU + 58, 80, 150 & 270 mm Lenses, and all the essential bits]
"He wears the sweeping landscape in the crystal of his eye."
[User of Ebony 45SU + 58, 80, 150 & 270 mm Lenses, and all the essential bits]
"He wears the sweeping landscape in the crystal of his eye."